A Fresh New Project

Post Reply
User avatar
Saiceles
Posts: 56
Joined: Sun Feb 23, 2020 9:04 pm

Posted by Saiceles »


Godswoman, Namer Saiyuu, has recently undertaken what seems to be a project of considerable proportions. While rumors do mention that she has something of importance in the works, there aren't a lot of details to be found and she has kept her work secretive in a locked workshop. Even when the door happens to be open, it is hard to make sense of what the quasi-fiend is doing, considering the chaotic mess that her working area always seems to be. Several querries have been sent out to fellow Godsmen, asking them about a rather peculiar piece of information - a story regarding a Godsman that is either deceased, missing-in-action, retired or simply no longer among them. Shipments of small, varied metals have also recently arrived in the workshop area she separated for herself, nothing in large amounts but in such a considerable variation that fellow Godsmen might have spotted at least two dozen different cases of metals sitting around, some completely average, others of immense rarity, and anything in-between. Saiyuu has also been reported to have spent considerable time recently going over the old archives, seeming to be studying files from former Godsmen under the same conditions of the ones from her querries. The effort has been going for the better part of a month now, and has shown little sign of halting. Whatever it is that she's up to, it's lengthy work and probably significant.

Sensates Anali and Ssadrang have recently been sought as well by the Succubus, under the direction of Factor Sasha Andor. Saiyuu asked to check a few different folios on designs, some for monuments, others for crafted pieces of art, among others. Hard to tell what exactly she was looking for, but once she did enough searching she did seem to find what she wanted, and was happy to not make a mess out of the Sensate archives before leaving.

For now, higher-ups have received a report from the Godswoman that she's continuing with the project without letting it interfere in her usual work hours in the Foundry.
User avatar
Saiceles
Posts: 56
Joined: Sun Feb 23, 2020 9:04 pm

Posted by Saiceles »


A continuation of previous events, Namer Saiyuu seems to have been working as focused and steadily as when she first begin, if not with more fervor. Some days it would seem like she barely bothered heading home, with the small area where she did her work seeing a steady traffic of material samples, documents, objects that might apparently have no use or purpose to anyone else, among others. Families of older and retired Godsmen have been visited in the meantime, as were friends and acquaintances of those who had passed on, closer to their journey to the Source. Some might notice that the materials she had requested might hold something of a connection to old works of former Godsmen members. Now, having been completed in the wake of the night, the assistance of a few strong Factioneers were required to carry the object over to its resting place.

The project consists of a monument, a sizeable cog mounted upon one of the popular corridors of the Foundry, with a small plaque beneath it. "I'm not good at titles so, like, insert something significant here, like, A Monument to Memory - By Saiyuu". Which might eventually simply be replaced as "A Monument to Memory" if people see fit. The cog looks like a standard-looking piece found in many of the Foundry's machinery, measuring up to eight feet of height as well as width, though the unusual aspect it seems to have is that it is not made of a singular metal, but many fragments of different ones, fused together and giving it something of an unusual visual texture - chaotic in a way, but still artistic. Each fragment seems to have a tiny name inscribed upon it, a name that once belonged to a member of the Godsmen, a member who's no longer among them - be it on account of death, departure, or retirement. While it might fail to account for every single member, it seems to pick an astounding amount of them and definitely appears to have taken a supernatural amount of dedication to see it done. Upon touching each segment of metal with a name, one can find an enchantment permeating the metal, seeking to pass a simple sensation upon the one touching it. The sensation would be one equivalent to what made each of these Godsmen who they were, what motivated them, what made them proud. Touching a segment might make one feel the warmth of a forge, the pride of seeing a simple, but efficient cog fabricated, watching the mastery of craft manifesting in the simplest objects. Touching another might make one feel the anger that might have motivated another Godsman to do what they did. Another might have been motivated by love, family, desire. Each segment seems to try to accurately portray these feelings that belonged to these Godsmen according on what memories, records and tales are left of them.

Nonetheless, the period of mystery and wait seems to have come to an end, with the aforementioned project now being revealed. Mutters around the Foundry seem to varied. Some seem awed and impressed that a Tanar'ri of all things managed to put together such a thoughtful piece. Some might find it disgusting and pretentious, and overly artistic. Others might find it inspiring and heartwarming. In the end it seems to draw a varied set of responses from those who observe it. Nonetheless it seems to speak volumes on how the obsessive Succubus seems to have grown consistently in her ability to use her own hyperfocus into achieving something of significance. Invitations were sent to close friends, companions, and fellow factioneers to see her work, should they desire.

User avatar
ShadowFox13
Posts: 38
Joined: Fri Dec 25, 2020 2:56 am

Posted by ShadowFox13 »


Namer Nel'shadia, an Erinyes of a quiet mien and little renown spends quite a while at this monument, when she can afford the time between her own projects. She's often seen making a point to brush against each and ever sliver, often standing in silent contemplation at the memorial, utterly still, for at least a half hour, sometimes longer.
Post Reply